Better Photo Tips - New Photo Insights
ň€śSure!ň€ť You say enthusiastically, then almost as an after thought you ask, ň€śWhat are we shooting?ň€ťThe person you are talking with has decided to go for the World Speed Record in a wheel chair. Now, Iň€™ve taken photos of people and Iň€™ve taken photos at more traditional sporting events, like Football, Basketball, and Soccer; but how do you gear up for something you have NEVER shot before? The first photo tip to remember is to always have business cards with you. Because even though he said ň€śthe other dayň€ť you realize it has been almost two years since you had this discussion, but you did give him a business card and obviously he kept it.
Back to the problem at hand, this photo shoot is prior to the actual event. The photos he wants you to take are to be used as promotion shots. The customer suggests a local park for the photo shoot location. The first photo obstacle is the location itself, yes there are some nice points but, this park has office building on one side and a huge school on the other side. Always be aware of the background in your photo shoot.
Admittedly this was a new situation for me, but the first dozen shots or so just didnň€™t feel right to me. Then my mind starting thinking about how I take photos of little kids at weddings; I get down on their level. Yes, this was a full size adult, but the photos didnň€™t feel right until I was at the same level he was. If the subject is looking down and you photograph looking down at him, there is no interaction. Always take your photos with interaction in mind.
This particular person designed this particular wheel chair specifically for racing. Being totally naÓŻve regarding handicap racing, I had to reply on his expertise to get the right photo. Regardless of the type of event you are shooting, remember this photo tip: use other peopleň€™s knowledge to make your photos look more professional. In wheelchair racing for example; the front wheels control all the steering. If I had only shot photos with his hands resting on the back wheels, anybody who did know the event would know I (the photographer) didnň€™t know what I was doing.
Even though we started this photo shoot early in the morning, the higher the sun got, the more dramatic the shadows got. When the subject was in an actual racing stance and he was leaning forward in his chair it did create some really deep shadows. I experimented with a reflector, a flash and some photos with both. Even though it was a beautiful day, quote ň€śnot a cloud in the skyň€ť; I had to be prepared to control the existing light.
To review the lessons learned when photographing something totally out of your everyday experience, this is what I had to learn, or relearn to get the job done:
A) Always have photo business cards available, you never know when they can lead to new and exciting photo opportunities. (Even two years later.)
B) Always be aware of the background! That sounds obvious, but you want to make sure the subject is the main center of attention in your photo, not a reflection off an office window.
C) Always take photos with interaction in mind. Originally I was going to say at the same eye level, but during this photo shoot I also got down and took pictures at ground level as well.
D) Always use other peopleň€™s expertise to make your photos look good. This is especially true when shooting things you have never shot before. The subject is much more likely to approve of your work if he or she knows they actually helped with the input.
E) Always be prepared to control the light in your photo to meet the needs of the shoot. A bright sunny day is not always the best time to take a great photograph. Remember this: the brighter the light, the harsher the shadows.
A final thought, as a photographer, your most valuable tool is your mind and the ability to think and see creatively. Do not get so wrapped up in one specialty area of photography that you forget to apply those same photo tips to other areas as well. Life is a journey, not a destination. Likewise, who and what we are as photographers is what we learn from the different types of things we allow ourselves to photograph.